Corrupted Institutions, Broken Minds, and Religious Salvation in Uncle Tom’s Cabin October 04, 2023 Andrew Rosello
919 S. 9th Street Camden, New Jersey October 04, 2023 Ryan Kelley 1st place Raclin Murphy Museum of Art Award
The Secrets Inside the House with a Yellow Fence October 04, 2023 Francesca Frieri 2nd place Raclin Murphy Museum of Art Award
Exploring Boundaries Between Art and Life in Portrait of a Lady on Fire July 31, 2022 Aimee Morrissey
Saying More by Saying Less: Apple’s Strategic Sustainability Advertisement July 31, 2022 Aubrey Breen
Lessons of the Prose Artist: An Analysis of Morality in Thucydides's History July 31, 2022 Noah Coffman
A Boy with Burdens: Analyzing Themes of Colonialism and Environmentalism in the Art of Yinka Shonibare July 31, 2022 Alyssa Miulli 1st place Raclin Murphy Museum of Art Award
Medea and Dido’s Power and Tragic Downfall: Cautionary Tales of Female Empowerment July 31, 2022 Katie McCurrie
Why Gillette’s “We Believe: The Best Men Can Be” Ad is Not a Vilification of All Men July 31, 2021 Andreah Graf
Landscape with Factory: A Rare Critique of Belgian Industrialism July 31, 2021 Rory St. Hilaire 2nd place Raclin Murphy Museum of Art Award
Composition (1923) at the Intersection of Painting and Photography July 31, 2020 Alexis Kelly 1st place Raclin Murphy Museum of Art Award